Rehearsals Week Two And A Half: THE SUIT

I promised an update on the suit. It's amazing. Ossie Clark eat your flipping heart out.

OK here's the thing: Imagine an intricate paisley pattern on a fabric that wouldn't look out of place on a sofa. I'm not really selling it, am I? Bear with me. Then imagine this fabric in a suit so beautifully cut it makes you want to weep. Jennie, our wardrobe mistress is a genius. Her pattern matching skills are second to none. She's even been considerate enough to avoid placing the more... erm... vulvaic elements of the pattern in my groin area.

The jacket is long-line double breasted but fitted, the trousers are high-waisted and boot cut (flares are so much more flattering when given a modern twist) and the waistcoat is delightfully trim. OMG, happy? I think this is possibly the most fabulous costume I have ever had in my entire stage career. And so perfectly apt! I scream 1970s when I make my entrance. Not literally of course. That would be silly and anyway it's not in the script.

Vivian, my character, is a writer. She has her own career, is successful, articulate, yet she chooses to drop everything to come and be with this capricious old bag who is twice her age and treats her like a servant. Yesterday in rehearsals we were finding the graph of how she comes to recognise this but actually doesn't care. Marlene says:

I ask all the time favours from loving slaves

Vivian is a loving slave, but there's more to it than that. Marlene needs someone like her, she can't have strangers in the dressing room but she doesn't suffer fools. Vivian's role in Marlene's life jumps between protegée and dogsbody, but she never knows which she is at any given moment.

Vivian is an amalgam of various female personal assistants Marlene had in her life. Marlene collects writers and intellectuals, and the assistants fit into these categories. Vivian aspires to becoming a permanent fixture in the mould of Ginette Vachon, a Canadian writer and sometime olympic champion who was Marlene's 'companion' for quite some time. She's even prepared to give up her work, abandon her new play that is due to open on Broadway in 6 months.

What kind of person would do that? More importantly, how compelling must Marlene be to inspire that kind of love and devotion from a woman half her age?

Damn I love my job!